This weekend in London, November 17 and 18, L.A. neo-soul singer/producer Syd and Atlanta rap architect Kesha Lee anniversary flew in to accord talks on their artistic processes for Red Bull Music Academy. Syd — Odd Future DJ, advance accompanist of The Internet, and abandoned artist — gave a above address in a barn amplitude in south London, affecting on aggregate from how she recorded Tyler, the Creator’s aboriginal anthology in her bedroom, to how she formed on advance for her 2017 anthology Fin with Hit-Boy. Kesha Lee, meanwhile, gave a added tech-oriented branch in Red Bull Studios, aperture up her Pro Tools files to appearance how she goes about bond hits for Lil Uzi Vert, Migos, and Playboi Carti. The FADER was there to abridge the best tips from anniversary on how to get started in the studio, and how to accomplish your best assignment aback you’re in there.
Syd: I started with a Macbook Pro that my dad had bought for school. It had GarageBand on it, and I was aloof one day activity through all the programs to see what was on this computer — it was the aboriginal computer we had had in the abode in a continued time. I was aloof browsing, and I was like, Oh shit! You can almanac music in here! Limewire was absolutely big aback then, so we were downloading a lot of acapellas…I was aloof aggravating to accomplish beats over the acapellas. I became a little bit bedeviled with it.
Syd: I recorded [my abutting aperture acquaintance rapping] aloof application the Macbook mic, and I was like, This sounds trash, area do I get a microphone from? I begin one on Craigslist for like 90 bucks, and it was a baby diaphragm, which, if you apperceive about microphones, is not acceptable for vocals. I got this mic, and again I was like, Fuck, how do I bung this into the Macbook? So I went to Guitar Center and they were like, “You charge an interface.” I said, “What’s the cheapest one you have?” It was like a hundred bucks. This bits was so stupid, it didn’t accept no apparition ability in it, which you charge to ability it…So I get the mic, I get the interface, I booty it home, and my bits still don’t work. I had to go aback to Guitar Center and buy a abstracted box for apparition power. And I set it up.
Kesha Lee: My dad had bought me Pro Tools 7, and that was absolutely hard, so he bought me addition [two programs]. He was calling me aggravating to accord me instructions — I was over it. But we accept article agnate to Guitar Center [in Atlanta], it’s alleged Bailey Brothers, and they were teaching classes in Pro Tools, so I went, and I got the actual basics. Like how to almanac — absolutely columnist almanac — and a few added things.
Kesha Lee: I aloof let [the artists and entourage] do their thing, I don’t acquaint them to be quiet or anything. It is a little confusing accepting bodies in there who are watching TV and actuality like that. I abstruse to aloof go with the flow. If Uzi is chilling, a lot of the time I would aloof assignment on added stuff. But I’m acquirements that you aloof affectionate of accept to be accessible in a session, and present. You don’t assignment on added stuff. I aloof feel like I’m not actuality advantageous if I’m not alive — but I abstruse to aloof chill.
Syd: I was absolutely inspired, alive with Odd Future. At the time, I was authoritative beats, but I wouldn’t comedy them for anybody. I’d appear into the studio, and Left Brain would be authoritative three beats at the aforementioned time, and Tyler would be authoritative a exhausted absolute quick. I would aloof booty notes. For the best part, I aloof accomplished what I absolutely capital to do. Facilitating added people’s dreams was dope, but I accomplished that I capital to accept my own thing, as a creator. And that was valuable.
Syd: I booty breaks, and smoke some weed. The best affair I do, is to not force it. I don’t like banishment it, because again it feels like work, and I abhorrence it. I’ll footfall away. And if I’m ashore for a absolutely continued time, I’ll alarm a friend. “Hey can you advice me accomplishment this song? I’m stuck.” I acclimated to feel like I wasn’t a acceptable songwriter aback I couldn’t accomplishment a song by myself…but again you’ll never accomplishment a song.
Kesha Lee: I try to accumulate aggregate basic, because aback we go to altered studios, I appetite all the plugins to cull up. A lot of times, abnormally in California, you accept to hire some of the plugins, I don’t apperceive why that is. I try to accumulate aggregate simple.
Syd: These days, I aloof bathe something. I don’t alike alpha singing annihilation until the mic is on and recording, because my aboriginal account are usually my best ones. So I’ll aloof columnist record, I’ll bathe a accomplished three minutes. Studying James Fauntleroy, I abstruse it’s accept to address a bad song. Aloof address addition one the abutting day, and achievement that it’s better. But you gotta accomplishment the song. So sometimes if I’m stuck, I’ll almanac article that I’m not in adulation with, aloof as a placeholder. Sometimes that abstraction will abound on you, sometimes it’ll morph into article else.
Kesha Lee: [In a session, Uzi] will say, “Pull the up the song we did the added day!” I’ll be like, “What did you say [on the song]?” [Because] I’ll name [the file] whatever he’s repeating on the hook. I’ll additionally put the ambassador name, because he’ll be like, “Pull up the song we did with Metro [Boomin]!” And it’s like — We did a lot of songs with Metro! So it’s bottomward to me to adapt it in a way so that I apperceive what he’s talking about. It took me a while to amount out.
Syd: I anticipate what fabricated [The Internet’s admission album] Purple Naked Ladies so appropriate was that aback we fabricated it, we knew we’d never heard annihilation like it before. We knew it was awe-inspiring and quirky, but we were like, “This don’t complete like nothing!” That’s what I learned: authoritative article different is good. As producers, as artists, it’s accessible to get bent up in what anybody abroad is making, because you see it assignment for them, but what I’ve realized, alike afresh with Fin, is that a different anatomy of assignment is artlessly added admired than a good, non-unique anatomy of work.
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